Rex and Joan Irving Brandt papers
Scope and Contents
The personal papers and archival materials related to the Southern California artists Rex Brandt (1914-2000) and Joan Irving Brandt (1916-1995) includes correspondence, diaries, photographs, slides, subject files, business records, sketches, and publications reflecting the lives and artwork of these two “California School” artists. Although the collection is divided into two parts, the papers of Rex Brandt and the papers of Joan Irving Brandt, because of the interconnectedness of their lives and artistic endeavors, there are materials related to both artists in each section.
Dates
- 1939 - 2000
Conditions Governing Access
The collection is currently undergoing processing; access is limited but portions of the collection are available for research.
Conditions Governing Use
In order to quote from, publish, or reproduce any of the manuscripts or visual materials, researchers must obtain formal permission from the Library Director at Laguna College of Art + Design. Laguna College of Art + Design owns the copyright for the materials in the collection created by Rex and Joan Irving Brandt as well as the physical property rights for the entire collection.
Permission for commercial use of images or reproductions from the sketchbooks of Rex and Joan Irving Brandt must be received from the donors, Shelley Walker and Joan Scarboro. This restriction is in effect until January 1, 2020.
Biographical / Historical
Rexford Elson Brandt was born in San Diego, California in 1914. A graduate of Riverside Polytechnic High School (1932), Riverside Junior College (1934), University of California at Berkeley (1936), he taught at Riverside Junior College, Chouinard Art Institute in Los Angeles and at his Blue Sky Studio in Corona del Mar. Renowned for his watercolor paintings of the Southern California coast, Brandt wrote numerous books on technique and served as president of the California Water Color Society in the late 1940s. Along with his contemporaries Phil Dike, Emil Kosa, Jr., Barse Miller, Phil Paradise, George Post, Millard Sheets, Robert E. Wood and Milford Zornes, Brandt was known as a member of what has been variously called the California School, the White Paper Painters and the California Regionalists. Brandt and Phil Dike operated the Brandt-Dike Summer School of Painting, which began in the late 1940s, which in 1955 became the Rex Brandt Summer School and was again renamed in 1973 as the Brandt Painting Workshop.
Rex and Joan Malloch Irving married in 1938 in Riverside, California.
Joan Malloch Irving Brandt was born in Riverside, California in 1916. She attended Santa Barbara Girls’ School, Katharine Branson School, Riverside Junior College and Art Center School, Los Angeles. Along with her husband, she taught in the Brandt-Dike Summer School of Painting and was co-director of the Brandt Painting Workshop after 1973. She was a founding director of the Newport Harbor Art Museum, founding chairman of the Newport Beach Arts Commission, a life fellow of the American Watercolor Society and a life member of the Royal Society of Art.
Connection to LCAD – Rex Brandt was involved in designing the first two studios built for what was then named the Laguna Beach School of Art, located on the festival grounds in Laguna Beach, and he and fellow painter Phil Dike taught a workshop for the school in 1963 (the second year classes were offered). He also later served on the advisory board for the school and its endowment fund campaign in 1978.
Extent
23 Linear Feet (66 boxes)
Language of Materials
English
Arrangement
The collection is arranged in the following series:
A. Joan Irving Brandt Papers
1. Sketchbooks, 1951-1992 Boxes 1-7
2. Manuscripts Box 8
3. Business records Box 9
4. Transparencies Box 10
4. Slides Box 11
5. Publications Box 12
6. To be sorted/interfiled Box 13
B. Rex Brandt Papers
1. Sketchbooks, c.1939-1999 Boxes 14-35
2. Day books and calendars Boxes 36-37
3. Manuscripts Boxes 38-41
4. Correspondence Boxes 42-43
5. Business records Box 44
6. Business records: card file Boxes 45-49
7. Subject files Boxes 50-56
8. Photographs and albums Box 57
9. Slides Box 58
10. Transparencies Box 59
11. Audiovisual materials Boxes 60-61
12. Scrapbook, ephemera, binders Box 61
13. Scrapbook, 1932-1949 Box 62
14. Publications Box 63 & books on shelf
15. Oversize materials Box 64
16. To be sorted/interfiled Boxes 65-66
17. Artifacts: Two Graber Olive
House boxes
Immediate Source of Acquisition
The collection was donated to Laguna College of Art + Design by Shelly Walker and Joan Scarboro, 2011. They inherited the collection from their father, Rex Brandt, in 2000.
- Title
- Guide to the Rex and Joan Irving Brandt papers
- Status
- Under Revision
- Author
- Jennifer Wormser
- Date
- 5/12/2023
- Description rules
- Describing Archives: A Content Standard
- Language of description
- English
- Script of description
- Latin
- Box: 1 (Graphic Materials)
- Box: 2 (Graphic Materials)
- Box: 3 (Graphic Materials)
- Box: 4 (Graphic Materials)
- Box: 5 (Graphic Materials)
- Box: 6 (Graphic Materials)
- Box: 7 (Graphic Materials)
- Box: 8 (Text)
- Box: 9 (Text)
- Box: 10 (Graphic Materials)
- Box: 11 (Graphic Materials)
- Box: 12 (Text)
- Box: 13 (Mixed Materials)
- Box: 14 (Graphic Materials)
- Box: 15 (Graphic Materials)
- Box: 16 (Graphic Materials)
- Box: 17 (Graphic Materials)
- Box: 18 (Graphic Materials)
- Box: 19 (Graphic Materials)
- Box: 20 (Graphic Materials)
- Box: 21 (Graphic Materials)
- Box: 22 (Graphic Materials)
- Box: 23 (Graphic Materials)
- Box: 25 (Graphic Materials)
Repository Details
Part of the Special Collections, Dennis and Leslie Power Library Repository
Dennis and Leslie Power Library, Laguna College of Art & Design
2222 Laguna Canyon Road
Laguna Beach California 92651 United States
9493766000
rboyd@lcad.edu